Available for the first time in paperback, this study examines how this ideology evolved. Carol Gluck argues that the process of formulating and communicating new national values was less consistent than is usually supposed.

Available for the first time in paperback, this study examines how this ideology evolved. Carol Gluck argues that the process of formulating and communicating new national values was less consistent than is usually supposed.

色川大吉 1925年出生于日本千叶县。1948年毕业于东京大学文学部。日本近代史学家，开创了日本“民众史”“个人史”领域研究。著作有《明治精神史》《近代国家的出发》《一个人的昭和史》《历史的方法》《自由民权》《北村透谷》《欧亚大陆纪行思索》《我的圣地浪游》《立于废墟之上》《卡秋莎的青春》等多部作品，另有《色川大吉著作集》全五卷。。 译者 郭颖，厦门大学外文学院教师。

From the 1860s through to the early 20th century the rise of Japonisme and the Art Nouveau movement meant that few could ignore or resist the obsession with all things Japanese. Superbly crafted and often highly decorated Japanese objects lacquer, metalwork, ceramics, enamels and other decorative items excited, stimulated and inspired Western artists and craftsmen to produce th...(展开全部)

When Commodore Perry arrived in Japan to open the country to Western trade in 1853, he found a medieval amalgam of sword-bearing samurai, castle towns, Confucian academies, peasant villages, rice paddies, upstart merchants, bath houses, and Kabuki. Fifteen years later, Japan was on its way to becoming the only non-Western nation in the nineteenth century with a modern centraliz...(展开全部)

A quiet revolution in knowledge separated the early modern period in Japan from all previous time. After 1600, self-appointed investigators used the model of the land and cartographic surveys of the newly unified state to observe and order subjects such as agronomy, medicine, gastronomy, commerce, travel, and entertainment. They subsequently circulated their findings through a ...(展开全部)